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Filtering by Category: Animation

Learning

Bailey Kalesti

Ever wanted to know about the process behind making art and film? Well, now you can. Introducing LEARN, a new place at Forma Pictures where I discuss the inner workings of the craft from a no nonsense point of view. I've always hated "trade secrets" so I decided to start sharing what I can. I only have one resource to start, but the library will steadily increase. And if you have any suggestions, you can submit them for review.

Here's a quick 2-second boot-up animation I made for the MatterControl tablet, released by MatterHackers this week:

Next week:

  • Another cube dancing video, with a retro/nostalgic bent...if you were a child of the 80s/90s.
  • Animated music video (2 months in the making).
  • Some recent print work that I've done.

Bailey

Website 2.0

Bailey Kalesti

The website underwent some big changes this past week. There are lots of visual improvements, technical fixes, and even new features.

I decided to switch everything to a new CMS. I had been using WordPress since 2010, but it was time to try something new. The main reason I've done this is that I want to spend more time on the art and less time managing updates, new content, and struggling with PHP. It's hard enough for me to run a business, let alone trying to get contact forms to work properly. Lord knows I'm busy. So, I swallowed my pride and gave in to an easier, smarter life. :)

The blog now has a comment system, like capabilities, categories, and better sharing options. And if you'd like to get occasional updates on cool stuff, be sure to subscribe to the newsletter here.

Next week I'm launching a brand new section on the website that will focus on learning. I'm very excited about passing on whatever I can to new and experienced artists. So, look forward to that. It's going to be cool! And next time there will be a more elaborate cube dancing video (with some 80s music). There may even be some new client work too. I've been kicking ass lately, so there's a lot launching.

What's that? You want more? Oh ok, but only because I love you guys:

Bailey

20 Mile Marching

Bailey Kalesti

The climb out of the darkness is going well. Because it's near the end of the project, my days have been filled with finalizing art and animation.

Here are some cool buds in the video I'm making. If you know me, you may recognize some or all of these critters as real life pals from years ago!

Man's best friends!

Man's best friends!

I'm animated a lot right now too. I think that curve editors look pretty. Check out this collection of animation curves for a couple objects in a scene (a plant and a speech bubble).

Animation curves! This is what I look at while I work.

Animation curves! This is what I look at while I work.

20 Mile Marching

I'm working a lot right now, which has left me to think about pacing and taking care of myself. So, this week I'm going to ponder on the term "20 Mile Marching". I talk about it all the time, and I first read about in Jim Collin's book "Great by Choice."

What is it? It's a term used to describe a way of working and thinking. In simple terms, it's about achieving consistent performance with both and upper and lower bounds. We need both the ambition to achieve and the self-control to hold back.

In the book, they describe an example of two people on an expedition across the country. One person marches 20 miles every day, rain or shine. No less (so it's a hurdle to overcome), but no more (so he doesn't overexert himself). Some days it's easy to march 20 miles, and some days it's not, but every day always only 20 miles.

In contrast, the second person begins marching on the first day and feeling excited, he marches 40 miles. Exhausted on the second day, he wakes to find that it's extremely hot outside, so he waits inside his tent for a better day to go out. He continues this behavior of overexertion on good days to make up for lost time, followed by weakened days where he doesn't march at all. But when a powerful storm hits (metaphor for a trying time in business), it nearly kills him and he is forced to wait for better weather.

By the time this second person stumbles past the half-way mark to his goal, our 20 mile marcher is nearing the end. The person who paced himself will cross the finish line by a huge margin. He had the ambition to achieve in bad times and self-control to hold back in good times. In other words, he had the strength to persevere during bad times because he hadn't spent all his resources during the good times.

------

It's so tempting for artists to push themselves hard to achieve their goals. We want to be good. We want to earn the respect of our peers. We want to earn enough money to feel secure. Naturally we figure that if we push ourselves to our limits, we have a better chance of achieving these worthy goals.

However, ceaseless exertion of our talents isn't going to do it. I've worked hard in my years. I've been up at the ungodly hours of the night, working and working. I'm ambitious as hell, and I obsess in a way that can lead to frustration. Of course we need to exert our talents ambitiously and obsessively, but we need to do so smartly. Wailing on a cave wall with a spoon is not the smartest way to dig.

As much as I hate it, I have finally accepted the fact that I am a not a robot. I too must heed the 20 mile march. I'm also a physical creature who actually needs to sleep at night, eat right, and stay active in physical ways. But it's hard because creating with my brain and my hands is very engaging. Why stop at 11pm to sleep? Animating this character is fun! Why spend the time to make a nutritious snack? Reading tips on cinematography is much more interesting. And why would I ever want to stop storyboarding a chase scene so I can go for a real run that will only leave me drenched in sweat and pain?

But humans need more than that, they need brain stimulation (or lack thereof) too. We need social connection with other humans (especially those we love), and time spent letting our brains rest from our work. I used to think that when I let my brain rest from my work, I was slacking off. I wasn't being dedicated, and if I liked resting, it meant I didn't like art as much as an artist should. The truth is that I love art, and I usually can't stop thinking about it. I don't doubt my conviction as an artist. So, I've found that when I free my mind to think about other things, like how a bike works or laughing at a funny puppet video, I find that my art benefits.

Daydreaming and thinking about "useless" stuff can really pay off. Of course, you can't just do that, but that goes without saying. When I do rest, I'm giving my brain a chance to make subconscious connections that I hope will lead to an epiphany. You know those "ah-ha" moments when an idea feels like it "comes" to you? That's your brain making a connection between two things that you had thought hard about individually, but not together. You can't know when a connection will happen, but you can increase the odds by developing the right environment for them. It starts by giving your brain a chance to wander. And by the way, I'm not saying anything new here. I've read books on this stuff.

So, letting myself rest with a 20 mile march regimen has helped me so much that I feel it's worth telling everyone I know about it. It's about balance. We should work hard everyday, but we must also rest well everyday. I can't tell you how many artist I've encountered who are burned out, apathetic, frustrated, and plain ol' sleepy. They need to pace themselves. And if they work at a company, the company needs to stop forcing them to not pace themselves. The big companies in the industry don't understand 20 Mile Marching, and it's hurting their teams of artists. It makes me sad.

Resisting the urge to work a lot when you have lots to do and the energy to do it is not easy and it's downright un-intuitive. So, think of it like a Chinese finger trap, you know those toys we used to play with as kids? The trick to escaping our entrapment is not to push harder against our cement walls. It's by taking a step back, planning, and making a proper vault over the obstacle in the morning...after we've got a good night's rest in us.

Work smart and rest well, my friends.

Bailey

A Big Year

Bailey Kalesti

Happy Holidays!

Well, I've slept about 2 hours in the past 40 hours. It's been a frenzy of family time, client work, and a mad dash to get a new cube dance finished (it's the most ambitious yet). But I enjoyed my Christmas, albeit with heavy eyelids.

It's hard to believe that I've been writing the blog for three continuous months already. And it's thanks to my friend for the idea. It's been good to force myself to release art every week. I have no plans to stop anytime soon, so keep coming back to see better and better things!

And what a year! It's been a truly great year for my career, and I don't say that lightly. I'll be brief... At the top of the list is that I quit my salary job and started my own business. It's the smartest thing I've ever done for myself because it has brought me so much joy. This year also was the most productive year I've ever had, having released more finished and behind-the-scenes content than ever before. And I've continued to meet and work with more great people!

Where is Forma Pictures heading?

Well, I've got more than a few projects queued up. More ideas than there's time for, as usual. Client work will remain an important part of my plan. But with Hunted (and more like it), Forma Pictures will begin to release its own content. It's going to take time, and 2015 will be a huge learning year.

Things to look for in 2015

Small, choreographed animations - Like the cube dancing videos and other expressions of intense musicality are forthcoming. I'll release these every two weeks.

More edited shorts - I love editing, and my series of re-edited movies will continue on. The 4th one is already in development.

Fortnight of Frames - This will be a two week romp of constant design and animation creation, with daily releases. It will be intense!

Continued Hunted development - Hunted isn't going away. So far there are three of us contributing to the project. Lots to do yet!

Improvements to site - Forma Picture's website has never been completely finished. I released it because I had to. There are aesthetic and back-end updates coming.

2-minute, animated company video - I'm finishing this in January, and I'll release it as soon as I'm able.

Secret project - I've had the opportunity to work with some great people on something I can't talk about yet. Hope I can share the details this year.

And without further ado I give you Mann Co. Party, the 4th in my series of Cube Dancing videos. I can't seem to place what it's an homage to...

Bailey

The Life of a Freelance Artist

Bailey Kalesti

Artists have to make money. I wish I could just create whatever I wanted and not worry about finances, but I'm not there yet. Most of us are either working at a company earning a salary, or we're out hustling on our own, booking gigs, selling our art and earning a living that way. Right now, I'm doing the latter.

One of the things that's been most surprising to me since starting my business is how my perception of money has changed. I worked in an office for seven years. I earned steady income for that entire period, and I was never out of work. During those years, I didn't really think about money very often. As long as I had a job, everything was magically alright.

But now I think about money every day. It's what keeps this adventure going. So, I hustle, research, and strategize all the time. And when I sign contracts for paid work, it's a feeling like no other. Diving into the unknown can be terrifying, but completely invigorating. I choose to perceive this path as a series of opportunities to make my life the way I want it. And because of that, I feel very good just about every day.

It's important to note that I make every effort to keep my creative time free and clear of stress. It's hard to create when stressed. And if I can't create, I can't live. So, stress mitigation is kinda important. Luckily, I learned a great deal about stress management over the last seven years, and I'm still working to be better at it.

So, would I recommend this path to other artists? Well, it depends on what kind of person you are. It takes a lot of work, time, care, responsibility and discipline. That's just fine with me, because I relish that stuff. It does mean that every move I make matters, but that's why it's so great too. I get to be making the moves, not someone else.

If you're on the fence, think about it like this: you need to satisfy the priorities in your life that are specific to you. For me, this is what I want. I want control, responsibility, and opportunities for insane growth. It suits me, so I'm absolutely happier than I've ever been. But everyone has different intrinsic or situational needs. And they must satisfy them or risk being unhappy. And remember, good will always be the enemy of great (more on that here).

The best piece of advice I have is this: Listen to yourself. We're always subconsciously telling ourselves what we want in life. But do we have the courage to objectively listen, no matter what it says? It may not be easy to accept what we want. I wish I loved building rockets, but I don't so I won't be trying to work for NASA. And years ago, members of my family were upset with me that I didn't pursue a career as a dancer. They said I was throwing away my talent. But here's the deal: I didn't love it. If I had done it, I would have been throwing away my life, not my talent. So, I didn't do it.

I know that fear is the biggest de-motivator. Believe me, I've had my fair share of it. And it was because of fear that I resisted starting my own business. But when I remembered that the days of my life were falling away, like grains of sand, I knew I had to do it immediately. And I knew that I could fail, but I could fail just as easily not doing what I loved. In fact, we're more likely to fail at things that we don't love. And besides that, we can get a string of bad luck, no matter what we're doing. So, I implore you...do what you love.

It's worth it.

And now, for the dumbest yet in my super dumb series of dancing cube videos that I force myself to make quickly. They are not masterpieces, but they make me laugh while I'm making them, so that's something.

Your pal,

Bailey

CTN & Cubes

Bailey Kalesti

What a week! So much happened. I attended the CTN Expo, and had a splendid time. I saw cool art, enjoyed panels, learned, and became inspired. But most importantly, I met a lot of wonderful creatives. Honestly, I was delighted to enjoy the company of such genuinely good people. Overall I left feeling that the community is pretty great. Happy to be part of it! And, naturally, I have something to share. The second installment in my ridiculous Cube Dancing series...

Aaaand last week the composer for Hunted sent me the first draft of the score. We'll be working on adapting it to the story and vice versa. Yay! Music!

Bailey

A Plethora of Projects

Bailey Kalesti

Progress on Hunted will be slowing down a bit. The truth is that Forma Pictures has been involved in a slew of projects. As of this writing, I'm working on 3 short film projects (and a couple smaller ones)! Some are original IPs like Hunted, and the rest are being made with or for others. So far, this blog has focused on Hunted, but I'd like to open it up to the other projects as well. At least the ones that aren't confidential.

Showing the other projects will be a more honest representation of the growth of Forma Pictures anyway. Client work remains a core part of its business model. I've got a lot of irons in the fire, and bets on more than one direction. I'm exploring where financial success lies, while still staying true to my core passions of working with great people and creating genuine, music-driven stories. See Good to Great to learn more about the 3 circles (money, passion, best at). I want this blog to peel back the curtain not just on Hunted, but also on the growth of a business.

Never fear, however, because Hunted isn't going away. I'll always be working on it. It's my favorite "kid", and I'll see to it that it becomes a high-functioning adult. Here's a poster concept I recently did:

UPCOMING CONTENT

  • Next week I'll be releasing a new edited short. Remember Movie Magic? Well, get ready for more!
  • Also, be sure to check out my new series of short shorts (aka "tinies"): "Dancing Cubes." These are goofy, 5-15 second, musical animations. The first one is below. More are on the way!

TWITTER

If weekly updates aren't enough for you, be sure to follow me on twitter: www.twitter.com/bkalesti

I actually spend a portion of time each week carefully collecting and posting good content from the web that I feel is worth sharing. I promise I'll never tweet what I had for dinner, because who gives a ****. My twitter presence is just about the craft and the community. It's where I mention new stuff I'm doing that may not reach the blog.

Bailey

Animatic Clip

Bailey Kalesti

As promised, I'm sharing a clip of the animatic. The score isn't in yet, so it's rather quiet. The art is obviously non-existent and the animations are point-A to point-B type of stuff. Everything is stand-in for the real art that will come later. But hey, movies are always bad in the beginning. My goal here is to shed light on the gritty details of this process. See last week's update for a more in-depth analysis of what goes into making an animatic.

In this segment, Chloe encounters something unexpected, and she's appropriately cautious...

Bailey

The Making of an Animatic

Bailey Kalesti

No art to show this week, so I’m showing a little behind the scenes. Personally, I love looking under the hood of a project, so I hope this is interesting to someone.

My main task right now is creating the animatic. During this process I’m addressing three important aspects that are shaping the movie:

  • Staging
  • Cinematography
  • Editing

The initial boards I made were loose and I focused on finding a visual language. After creating the third batch of thumbnail sketches, I spent a day placing them into a non-linear editor.
 

The third batch.

The third batch.

I feel that the staging process is like solving a puzzle. I look to the script and determine all the actions that need to happen to move the story along. The hard part is adapting the ideas into a space, where action happens. Working from an overhead perspective, I literally just scribble ideas for camera angles, player movement, and interactions throughout the scene. When I’m building it, I’m thinking about technical limitations (based on visual direction), composition, eye-tracing, and 2D screen-space rules.

10-31_staging.png

The cinematography has been fun for me. I’ve been getting coverage of each scene, which has helped the editing process. And I’ve been working on shot composition, which is an art form unto itself. Naturally, I feel like a complete novice. Creating a still with coherent composition is hard enough, and then adding the element of time makes it all the harder. As Joseph Mascelli says in The Five C’s of Cinematography (which I highly recommended), “Good motion picture scenes are the result of thoughtful compositions and significant movements, of players and/or camera. Unsatisfactory scenes are the results of thoughtless compositions and meaningless player or camera movements, which distract rather than aid in the story-telling.”

10-31_wireframe.png

Editing affects the shots too. Sometimes I don’t feel I can cut to a certain angle in the given time, which makes me reevaluate my camera choices. And because this is a music-driven story, everything needs to work harmoniously with the score. So, Hunted is really a series of music-supporting sequences that move the story and emotion along a pre-defined arc. And for even the simplest scenes to work, composition, staging, music, editing, and design must cooperate. That’s really the beauty of film. It’s the convergence of so many art forms…each one potentially elevating the art to higher and higher levels.
 

A very early timeline.

A very early timeline.

Hunted is a simple film, but I know it will continue to push me to my limits. This is why whenever I watch a particularly well made movie, I can’t help by sit in awe. Good movies are hard to make. I can’t say if my film will be good, but I’ll pour everything I’ve got into it.

I’ll post a clip of the animatic next week (November 7th)!

Bailey

Breakthrough

Bailey Kalesti

We all know that it's difficult to translate the vague ideas in our heads into something real. To help with this, I tried an exercise.

Over the last few weeks I amassed a lot of reference photos and inspiration. This week I chose thirteen of my favorites. Then I wrote down the reasons I liked each one. Finally, I compiled these qualitative assessments into a spreadsheet and tried to find patterns. Some interesting things developed from this. For one, I learned that I'm attracted to art that uses lighting to tell stories. I listed lighting as the primary reason why I liked eight out of the thirteen. I also learned that I apparently have a fascination with silhouettes.

This helped me because it distilled my pool of thoughts into something more tangible. The physical act of writing things down is a wonderful human tool that allows us to see multiple things at once and detect patterns. It forced me to recognize what I liked and didn't like too. I have a tendency to doubt my conviction while I search for "the perfect idea."

The aesthetic I see will serve the story of Hunted. It's been tricky finding an approach that will work for each scene in the film. Some shots will be more difficult, but I'm eager to put my ideas and passion to the test.

Here is the first environment test. This is just the beginning!

If you have any comments, critiques, or an interest in working together, don't be shy!

info@formapictures.com

Bailey